Yesterday a Goodreads reviewer wrote, "every character sounds unique" in Unholy Alliance. I want to share how I do this. Do
you stop reading a novel because the characters all sound like the
narrator? Let’s assume you as the writer
chose names that fit the character type. Use both long and short names and not
one that already exists by checking on Google. Describe each character as they
appear and reference the description later in your story. Is he the guy with the beard? Changing how
they sound will help your readers imagine “real people”.
Write conversations as if the character said
it. Most characters will not sound like you if you put effort into this. Start with the character’s personality and
add unique speech. Is your character
aggressive, shy, authoritarian, shifty, relaxed, or nervous? It’s okay to base
characters on real people. Does your
character have a regional accent or use slang? In my work-in-progress, my Hawaiian
heroine, Jolene Kualoha, says, “Aloha.” Not
too often since this can get irritating.
A secondary character, an FBI agent, ends sentences with, “Are you with
me?” Do you have a religious person or hipster in your book? They will express
who they are and what they stand for.
Here is another tip that makes a huge difference with authentic sounding
speech—sentence length. Your characters
speak in short bursts, not always in complete sentences. A villain might say, “Robbed her house.
Grabbed her. Now my gun is on you.” Think
about the character goals. Does your
character turn the conversation around to focus on their goal? May a character
swears. Others don’t even when someone
drops an f-bomb. What about throat sounds, stutters, or saying “um” which I
like for a secondary character. Tone of
voice is extremely important. Someone might
have a gravely or squeaky voice. What
about including a habit such as winding hair with a finger when nervous,
touching an ear, scratching their chin, or wringing hands? Characters use mannerisms when talking. Remember
to add actions with conversations. They
can look around and see things. Be sure
to match the character’s voice with their career when they make
comparisons. An annoying secondary
character might say things twice. My
hero, Danker Donahue, in my work-in-progress, Bittersweet Alliance, likes to
joke. This takes attention away from him
because he is working on a case with Jolene, and their relationship ended badly
six years before. Remember that when
people are excited, they interrupt each other or finish sentences. For example, Danker and Jolene (who knows everyone in town) are checking out at the market when the checker (Luana) is snoopy:
He
swiped his credit card.
Luana
bagged the items and stifled a gasp. “If you don’t mind me asking—”
“I do mind.” He winked at the middle-aged
checker.
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