When a writer outlines a book, the nagging question is where
to start. The functional form of a
thriller (my version of romantic suspense) is to start as late into the action
as possible. My character is thrown into
a personal crisis midst great physical danger. As I begin the second book of my Intervenus
series, Betrayal at Crater’s Edge, taking place in futuristic Venus, habitable
with an atmosphere, the hero, Marchand LaFond, is asked to help Dr. Scott O’Riley
regain his own heath. The neurosurgeon worked
for evil BioMinds on Ice Age Earth. Scott
showed remorse over brain procedures dictated to him, and Marchand is
loyal. This quality is a major component
of Marchand’s protective self-concept. Marchand
trusts the doctor whom he saved during the space race to Venus in book one, A Brand New Address. Here is the start—Marchand’s goal is to help
Scott regain his health, but an unexpected patient death arouses his reluctant
(because he’s loyal) and sets him on a plan of action to find out what’s really
been happening in the nearby crater. The
resolution is forced quickly when Scott’s associate, Vito Savage (from book
one) decides Marchand must be killed to keep things secret. I like my beginning hook. It makes sense after having built the basic
book’s structure. Marchand’s opening
threat of change answers the story’s question in Betrayal at Crater’s Edge.
Kathleen Rowland writes heart-stopping, adrenaline pumping romantic suspense and loves sharing about it. Let's talk about writing.
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